All posts by EZ Malaysia

Fungi: Another human threat alert!

Fungi make for one of the three major microorganisms behind human diseases. They are not commonly tested in this part of the world merely because this region is not a fungi disease-endemic area. When we are sick, the common tests to go for over here are either for viral or bacterial diseases.

With increasingly attractive travel deals and cheaper airlines, international travelling has become a common leisure in today’s contemporary living. If you are a frequent traveller, has it ever crossed your mind that you could possible be the unlucky one to acquire something alien from a foreign country like fungi, especially if you feel sick after travelling? And if you are a physician, have you ever considered those diseases that are endemic in regions where your patients have travelled to as the most probable cause of a disease?

There are many common diseases contained to selected regions in the world that are not commonly known to other parts of the world. Some are not fatal, but the illness can take a long time to get diagnosed and treated just because it is not something common outside the country of its origin. There are many such cases that are being misdiagnosed and mistreated, with the patients failing to get better under the name of having an unknown disease. It may start with harmless symptoms like a common cold or flu in the early stage.

There are many common diseases contained to selected regions in the world that are not commonly known to other parts of the world.

Valley Fever is one of those diseases haunting Southwestern United States and parts of Mexico, Central America and South America. Coccidiodes is a fungus in the soil that causes Valley Fever. Inhaling in one spore can cause lifelong infection, turning your life upside down. It is often mis-diagnosed as bacterial pneumonia, tuberculosis or cancer.

You could acquire one or more of these conditions when the spores disseminate in your body; hydrocephalus (having harmful spinal fluid pressure on the brain), verrucose ulcers (wart like outgrowths on the surface of organs and skin), arthralgias (joint pains), myalgias (muscle pain), otomycosis (fungal infection of the external ear canal), hypercalcemia (extra calcium in the blood that can be fatal) and other terrible conditions.

Anyone can get Valley Fever, including children. It is most common among elderly above 60. Other high risk groups include Asians, African Americans, women in their third trimester of pregnancy and people with weak immune systems.

If you love travelling and especially love to explore exotic places like Arizona, be warned. Get to know their exotic threats and be prepared.

Up, Up and Away!

Gliding through the clouds is not novel, but venturing beyond the stratosphere is.

Imagine watching the ground fall away at your feet as you climb higher and higher into the azure blue sky, protected by a luxurious capsule with five other passengers and two crewmembers. Above you is an enormous helium balloon, expanded to the size of a football field that pulls you further and further away from the ground, until the blue sky dissolves into the blackness of space. Behold, the marvelous curved expanse of planet Earth greets your eyes.

Such a scene could soon be a reality as a start-up company of Tucson, Arizona commercialises high-altitude ballooning, an activity normally restricted to astronauts. World View Enterprises offers an accessible and affordable way to take passengers into space for an experience similar to human spaceflight through suborbital quests. No special training is required; all you need is USD75,000 for a reservation. The sum is quite reasonable when compared to Virgin Galactic’s USD250,000 price tag for a trip to space. Moreover, it is safer than space exploration ventures such as those by Virgin Galactic because participants of high-altitude ballooning experience far less cosmic radiation which has been documented to cause cataracts in astronauts.

A World View Venture lasts for approximately six hours from lift-off to landing. The journey from launch pad to the zenith is a gentle ride in the pressurised gondola suspended by a helium balloon which gradually expands as it floats further away from Earth. For the next two hours as the balloon hovers over the stratosphere, passengers can see the curved horizon of the planet framed against the backdrop of the cosmos. The magnificent view can spark off the ‘overview effect’, a concept coined by space philosopher Frank White to describe the inexplicable euphoria one has when seeing the world from space.

The NASA veterans and Biosphere 2 designers who lead World View Venture’s expeditions are experts in high-altitude ballooning, human spaceflight as well as environmental control and life support systems. The company’s partner and vehicle developer, Paragon Space Development Corporation is reputed for the manufacture of life support equipment designed for hazardous and extreme environments. If you are part of the voyage, be at ease knowing that dire situations depicted in the film Gravity are unlikely to unfold as their projects have been successful for decades. Just relax at the refreshment bar and share the magnificent view of your home planet on social media in real time through the gondola’s built-in internet access, documenting the memories of a lifetime.

Image courtesy of World View Enterprises, Inc. 

Eclectic Charm

A touch of modern, a hint of retro and a whole lot of character

Penang’s beach district of Tanjung Bungah is home to some of Malaysia’s most luxurious super-condominiums. With rumours of well-known Asian movie and pop stars having holiday homes here, clearly having a Tanjung Bungah address is glamorous to say the least.

It is not just enough to own a super-condominium. It is the manner in which one chooses to accentuate the confines of such a place that make the distinction of style, class and luxury. One of the hottest super-condominiums in Tanjung Bungah is the Infinity Beachfront Condominium. With a built up area of 4,000 sf on average, it poses quite the challenge to home owners who wish to bring out the best of the space.

One such homeowner at Infinity Beachfront Condominium reached out to Splendid Interior Décor to turn the empty shell into a space that reflected their personal style and living comforts. Splendid Interior Décor (Splendid), a reputable and award-winning interior decorating firm based in Penang is no stranger when it comes to working on high-end, luxury properties.

After discussing with the homeowners about their likes, dislikes, expectations and budget, the team from Splendid, led by Darren Tan, took to the task of creating a unique concept that would perfectly match the homeowners. The condo should not only serve as a space to live in, but also to be a sanctuary where the residents can retreat to and relax; it should also be a space that is functional, interesting and appealing for the homeowners to entertain their guests.

Employing various colours to create the mood for different spaces, what is created is a distinct home with lots of personality. To enhance the each area’s theme, arresting artworks and furniture were used to create a distinguished style. The artworks and furniture used were mostly purchased by Darren around the world specifically for the project to complement items from the homeowner’s personal collection.

Artworks and sculptures are casually displayed around the condo, creating conversation spaces which draw in attention unconsciously, perfect for entertaining guests as these spots are a seamless conversation space. The private areas of the condo are cleverly concealed and are cosy, while the public spaces are open and airy, creating a wonderful juxtaposition of the inner and outer spectrums of a home.

The end result is a space that is charming, eclectic and, most importantly, inviting. Despite its size, the condo exudes an intimate feel as the Splendid team had masterfully created private spaces within the relatively open layout of the unit.

Diamonds are Forever

’30 years of framing excellence’ – so reads the tagline of WinSon Loh’s exquisite art book. Loh, who founded the famed PINKGUY® Malaysia Art & Frame, is no stranger in the regional art world. He has framed some of most legendary artworks, from those of Dato’ Chuah Thean Theng and Khalil Ibrahim and Latiff Mohidin to Salvador Dali!

In conjunction with his 30th anniversary in the art and frame scene, Loh has published a coffee table book chronicling his journey, his masterpieces and some of the artworks in the PINKGUY® collection. Launched at Kinokuniya KLCC on 15 November 2013, ‘Diamonds are Forever’ in-of-it-self is a work of art. As with his signature diamond frames, this all-white book has an elegant diamond detail on its spine.

The Malaysian Art Industry

The Asian art market is currently one of the fastest growing business markets in the world, with China, Indonesia and India leading the charge followed by emerging countries such as Vietnam, Philippines, Singapore and even Myanmar. Auction houses are consistently hammering art pieces into record prices, making it hard to believe that some still consider art as nothing but a beautiful object that one should only acquire when spare cash is available. This primitive perception has long been overturned in the West where art is not only considered an important part of a growing civilisation, but is also a lucrative and exciting investment. Art in the West do not only to adorn walls, but are also regarded as assets that are kept in the accounting books.

Malaysian contemporary art scene has been relatively slow in entering the international arena. There are artists who have been struggling throughout the years on their own, trying to make a name in the West without the backing of their motherland and it is an uphill task.

The establishment of the National Art Gallery (now known as National Visual Arts Gallery or NVAG) in 1958 by Malaysia’s first Prime Minister, Tunku Abdul Rahman, was the most important milestone in the Malaysian art history. However, as it happens in almost every other developing country, art came to be considered the ‘adopted child’ in terms of priorities. Fortunately there have been some collectors and institutions collecting Malaysian art since its early days. Bank Negara Malaysia (Central Bank of Malaysia) was one of the early institutions that, through the leadership of its second governor, Tun Ismail Ali, started collecting and supporting Malaysian art since 1962. It was indeed an important step towards recognizing art talents and helping the art industry but the influence then was very much limited.

Many art groups and art societies were formed in the name of art between the 1940s and the 1960s, but most did not survive as art was a tough profession then to be associated with. Remarkably, the oldest registered art society in Malaysia, the Penang Art Society, has not only survived, it has thrived and celebrated its 60th anniversary in 2013 and boasts a national membership of more than 400.

Furthermore, the support from senior art promoters is invaluable. One of them, Dato’ Dr Tan Chee Khuan, is probably one of the heavyweights in promoting Malaysian pioneer artists since the early 1980s. He has published more than thirty books about Malaysian art and has also donated millions worth of art works to both the national and state art galleries. A person of such vision and patriotism is a rare breed.

Other art related figures are Ooi Kok Chuen and Dr Zakaria Ali, both art writers that have been consistently contributing to local art happenings and its progress through their pens for the past twenty odd years. The setting up of Petronas Gallery in 1993 provided extra avenues in the art market, and together with NVAG, both organisations have consistently collected, exhibited and supported Malaysian contemporary art. Another important Malaysian art movement was the art residency projects by both public institutions and private organisations that provided a platform for artists to excel.

In 2008, art entrepreneur and collector Datuk Vincent Sim pulled his resources together and created another milestone in the Malaysian art industry by conceiving Malaysia’s very own international art exposition – Art Expo Malaysia. It was a move that initially many had thought off as another white elephant, but Datuk Sim and son Sim Pojinn have proved the critics wrong as the show has gone from strength to strength through years of hard work.

Another instrumental development in the Malaysian art front was the Malaysian government’s helping hand in making this art expo even more successful. The 1MCAT (1Malaysia Contemporary Art Tourism) programme that was initiated in 2010 was the brainchild of the Ministry of Tourism (now known as Ministry of Tourism and Culture) with the intention to promote contemporary Malaysian art as a tourism product catering to the tourists visiting the country.

The Ministry of International Trade and Industry, through its external promotion arm, MATRADE, also joined in providing certain tax claimable incentive for local exhibitors, making it more attractive to join in and promote Malaysian art in local and international expositions. Furthermore, it has provided special rates on the space rentals in MATRADE Exhibition & Convention Centre where the Art Expo Malaysia has been holding its expositions for the last few years.

In 2009, prominent Malaysian real estate consultancy, Henry Butcher (HB), teamed up with Vincent Sim and started the HB Art Auction. The arrival of the first proper art auction house in Malaysia was a major boost to the art industry, eliminating the taboo of Malaysian contemporary art having an almost non-existence secondary market. KL Lifestyle Art Space (KLAS) Art Auction was the second one to join the party in 2012, followed by the Indonesian-owned Masterpiece Auction and the Edge Auction in 2013, making an unprecedented yet impressive record of four auction houses conducting more than 10 auctions annually!

With positive anticipation from local art patrons and collectors, the domestic market for Malaysian contemporary art is heading for a bull run. For example, top framer Pinkguy’s gallery reported sold out exhibitions in 2013 of two artists – Suzlee Ibrahim and Ch’ng Huck Theng – less than half an hour after the exhibitions’ openings.

On the other hand, important commercial art galleries, such as Valentine Willie Fine Arts, Wei Ling Gallery, Galeri Chandan and Richard Koh Fine Art, are among the Malaysian galleries that frequent regional art exhibitions, including Hong Kong and Singapore, to further promote their resident artists. The consistency of these galleries’ participations is highly dependent on the commercial return or simply how profitable, but it nonetheless is an applaudable move.

Back in 2009, the NVAG, then led by Director General Datuk Dr Mohamed Najib and its Board, decided to seek MATRADE’s expertise to assist in promoting Malaysian contemporary art overseas. It was not an easy task as art was never considered a product of trade by the ministry. The move was necessary and important as NVAG was of the opinion that there was no proper department in the government sector designated to promote Malaysian art professionally and efficiently in the international stage.

The first meeting was held in MATRADE with Zanita Anuar and Ch’ng Huck Theng representing NVAG and Mustafa Aziz representing MATRADE Centre. As Malaysian contemporary art was at its very early stages in international recognition and without the backing of the government, it was obviously a very difficult journey to pursue. It was akin to a new Malaysian brand or product with a lot of potential trying to penetrate the international market with limited funds and experience.

The big breakthrough was in 2011 for Malaysian contemporary art when it was considered by MATRADE as a product in the soft export category. In mid-2013 MATRADE CEO Datuk Dr. Wong decided to take up the challenge and assist the Malaysian contemporary art, promoting it as a brand and product of Malaysia. This collaboration with NVAG will see Malaysian art promotions in London, Melbourne and Miami. Arts Kuala Lumpur, or Arts KL, is the brainchild of MATRADE, spearheading Malaysian contemporary art into the international business of art by providing a vital connection between local Malaysian art talents and international art players. This is a move that will eventually prosper the Malaysian art business internationally and benefit generations to come.

London

With a population soon hitting the 10,000,000 mark, London is a city that has everything to offer when it comes to visiting this city that was founded 2000 years ago by the Romans. EZ has selected 10 things one should not miss when visiting the City of London in 2014.


Discover Malaysia Art

Malaysian Art Showcases In Melbourne

From 11 to 18 November 2013, Australian art lovers, collectors and the public had the privilege of personally getting acquainted with Malaysian art at a special exhibition titled ‘Arts Kuala Lumpur – Melbourne: Discover Malaysia Art’ that took place at the prestigious Melbourne art gallery, MiFA Events.

Datuk Dr Wong Lai Sum, CEO of Malaysia External Trade Development Corporation (MATRADE) officiated the exhibition on 14 November in a festive ceremony that served authentic Malaysian delicacies such as the satay and teh tarik.

The official opening was also attended by The Hon. Bruce Atkinson, President of the Legislative Council of Victoria; and Deputy Lord Mayor Susan Riley, Deputy Lord Mayor of the City of Melbourne. Also in attendance was the Malaysian Consul General to Victoria Dato’ Dr Mohamad Rameez Yahaya.

Wong, on behalf of the Malaysian Government, presented Riley a special Melbourne edition of Ch’ng’s ‘Salam’ sculpture as a gesture of friendship to the City of Melbourne. A second sculpture – ‘Salam – Victoria’ – was presented to National Gallery of Victoria.

The unprecedented event was the largest of its kind ever held and featured the works of 30 artists, ranging from Malaysian pioneer artists since the Independence to the young contemporary artists of modern Malaysia. Curated by Ch’ng Huck Theng, the exhibition was successful in generating great interest among art lovers in Melbourne.

Heels to Hills

EZ goes up the tranquil hills of Balik Pulau in Penang in search of one heritage gem – the Balik Pulau Lodge. A traditional Hakka settlement that is more than 200 years old, today it is a vibrant relaxation spot thanks to one enterprising and history-loving Maggie Fong.

Like the migration stories of many cultures, the story of the Hakka people in Malaysia follows in the same vein. Well before the reign of the British Empire in the Malay Peninsula, the first Hakkas to set foot on this soil arrived during the earlier part of the 18th century. It is said that they first set foot not in the East Coast of the Malay Peninsula, but on the shores of what is known to us today as Balik Pulau, on the island of Penang.

Later on, as the demand for workers in the tin mines grew, the British brought in labourers from the southern provinces of China, many of them being Hakkas. These early Hakka migrants not only brought their language – Hakka – to this new land, but also their own culture, traditions, cuisine and way of living. This wave of migrants made their wealth in tin mining, with the most famous Hakka in Malaysian history rising to prominence and developing Kuala Lumpur as Malaya’s economic and mining centre. Yes, the legendary Chinese Capitan Yap Ah Loy was a Hakka.

Today, almost a quarter of the Malaysian Chinese population is Hakka. Even in Penang, which is better known for its Hokkien community, it is home to a sizeable Hakka community. However, through the centuries, Hakkas have slowly lost their language and the culture is not as visible as the Chinese community at large has adopted Mandarin as their language. But there is an exception to the rule: among the many Hakkas living in Malaysia, is one feisty lady who has taken a bold step in the preservation of a part of the Malaysian Hakka story.

Maggie Fong, a proud Hakka, runs the Balik Pulau Lodge – a Hakka-themed homestay. Setting the Lodge apart from other ‘themed’ homestays and hotels, this place is actually a Hakka settlement that was built by migrants who came to cultivate the hillside of Balik Pulau hundreds of years ago. Right in the middle of the Lodge is what Fong calls the Hakka Big House, around which most of the activities of the homestay are centred.

Built on a rocky slope, the Hakka Big House is a testament to the resilience of the early settlers. As one enters the perimeters of the Lodge and go up the driveway, they will be met by huge boulders lined against the steep cliffs, a barricade of sorts. Not a barricade of the outside forces, but a barricade to contain the hilly slope and to prevent erosion. These acted as terraces for farming, and on which today remains a fruit orchard that produces tropical fruits in the plentiful.

‘The centuries old stone walls with 200 years of history are evidences of the Hakka ancestors who travelled here, leaving their motherland behind. They are also a reminder of how the early Hakka settlers had a hardworking and resilient spirit. Balik Pulau was undeveloped in that period and the valley was too steep, without much flat land for farming and growing crops. They worked together very hard to develop the place, and finally after years of hard work, the Hakka hill farming land was developed,’ quipped Fong.

Fong who grew up in Johor in a typical Hakka home loves to relate stories of her childhood – the stories of her people and the way they live. ‘Hakka people are very hardworking, their food is different and their home is different from the homes of other Chinese communities,’ she said, adding that the typical Hakka home is built on stilts. ‘The first generation of Hakkas lived on the hills, so, to prevent from animals entering their homes, they built their homes a few feet above the ground. So if someone knocks on their door, they could look down to see if it was their friend or enemies.’

‘After 20 years of staying in Penang, I wanted to find a place that I could do up like my kampong in Johor. So I started looking for a piece of land to build a Hakka house like the one in my hometown.’ It was in Balik Pulau that Fong found her piece of heaven. ‘I thought I can have it for my private use, and on Saturdays and Sundays, I could invite my friends to come and eat durian, to have a barbecue, to hold functions and home parties. So I bought the house and the land,’ said Fong of the 12-acre land on which the Hakka Big House stands.

She had purchased the land and the house some years ago, but it was only towards the end of October 2012 that Fong got the idea of opening the place for public. This is how the Lodge came to be established. The inspiration came to her when she went on a safari trip in Africa. Seeing the African tents and how everyone was one with nature sparked the idea to bring this concept to start the Lodge at her Hakka Big House.

‘I just wanted to retain the place’s history, to keep its heritage and to have a green place. I wanted to have a Hakka lodge on the hill, to serve Hakka food and to serve durian,’ said Fong. The Hakka Big House can house up to 30 guests. Next to it is a camp site that is fitted with 10 African-style tents and 20 mobile tents, six mosquito net hammocks, and a field camouflage yurt.

‘We have 12 acres of orchards with durian trees and cardamom trees and 40 local tropical fruits in the Hakka traditional old house. Visitors get to enjoy the cool mountain climate, the air is fresh and surrounded by greeneries, spectacular mountains and sea view,’ she said. And the Hakka Big House, it is the very same house that was lived in by the settlers, giving the visitors more than just a unique experience but also to see a slice of local history.

‘You know, we Penangites, when it come to holidays, there is nowhere to go, only shopping. I wanted a place where they can go to relax, where they can experience the fruit farm. So in October of 2012, I decided to open it to the public. After a few months of preparation, we opened to public in December 2012,’ she explained. The Lodge has been attracting numerous visitors and has been featured in many travel sites.

In the vein of her other business ventures, this one is also a resounding success. Fong, a journalism graduate who briefly flirted with the world of reporting, has always had a passion for business. ‘A business person can attain financial freedom. Even when I was a little girl, I had always wanted to be a businessman. I don’t want to be a worker – a worker has a fixed salary but not fixed expenses. But a business person has fixed expenses but not fixed income, you could have more income in one month if you wanted it,’ said Fong.

Fong is best known for the flyer distribution empire she founded with her late-husband. Flyer King was, and still is, the largest professional flyer distributor in Malaysia. While still managing the flyer distribution business  – Fong is the CEO of Flyer King – and running a stellar tourist and heritage attraction, Fong finds the time to seek adventures around the world as she backpacks to exciting locales off the beaten track. After all, the lady has kicked her heels for the hills.

The Charging Bull: Lamborghini’s bold move to mark its 50th anniversary

You know a car is a big deal if it is launched on board a warship. No regular tarmac or showroom is good enough, and the only dramatic backdrop for a super sports car of such stature is a modern engineering marvel. Which other brand can make such a bold statement than the loud and flamboyant Lamborghini?

The Lamborghini Veneno Roadster made its public debut on board an Italian aircraft carrier in the kingdom of black gold, Abu Dhabi.  A limited edition model with only nine units slated to be produced in 2014; the Veneno Roadster is a speed demon that is a super expensive status symbol. With each priced at EUR3.3 million excluding taxes, it takes the cake of being one of the most expensive cars in the world. Mind you, that’s almost RM15 million, and that too, without the taxes included!

Designed to truly optimize the aerodynamics of the roadster and matched with stable handling through fast corners, driving the Veneno Roadster is akin to being in the simulator of an actual racing car. The roadster is open in every sense of the word; there is only a strong rollover bar for optimum safety.  Its body is sharp and overtly aerodynamic, complete with the trademark lean, mean, chiselled muscular edges of Lamborghini. This is the closest you can get to a racing prototype that is road legal.

The Veneno Roadster is powered by a 6.5-litre V12 engine, which gives the car the extreme energy it needs to accelerate from 0 to 100 km/h in just 2.9 seconds. With a top speed of 335 km/h, the car can easily outdo other super sports cars in its category. Moreover, it is equipped with fast-shifting ISR transmission with five modes, permanent all-wheel drive and a racing chassis with pushrod suspension and horizontal spring/damper units.

Adhering to the racer prototype, the Veneno Roadster is lightweight with its body built carbon-fibre reinforced polymer monocoque. Its body is designed to allow for perfect airflow and downforce with the front end working as a large aerodynamic wing. Its stunning rear wing and fenders that are reminiscent of racing cars add to the aerodynamic of the flow.  This functional design flows on to the wheels of the Veneno Roadster, which are fitted with a carbon-fibre ring around the rims. These work like a turbine to deliver additional cooling air to the carbon-ceramic brake discs.
 

The closest you can get to a racing prototype that is road legal!
The closest you can get to a racing prototype that is road legal!

Just like the engine and the exterior, the interior of the Veneno Roadster employs a hi-tech approach. The pair of lightweight bucket seats are made from Lamborghini’s patented Forged Composite, while the entire cockpit, including part of the seats and the headliner, is clad in woven carbon-fiber CarbonSkin. This fine-looking carbon-fiber matting fits perfectly to the form of the interior and reduces the weight of the vehicle, which adds to the performance of the car.

Even though Lamborghini has debuted the Veneno Roadster in the intense red ‘Rosso Veneno’ paint colour developed exclusively for the car, future owners of the nine cars would be able to personalize it to suit their individual preferences.

‘The Lamborghini Veneno Roadster is one of the world’s most exclusive cars with the most extraordinary performance,’ said Lamborghini President and CEO, Stephan Winkelmann.

So, if you want to be one of only nine lucky persons in the world to own the Veneno Roadster, you should get moving right now! 

Making the Fire Work

EZ has a chat with Asia’s most recognised firework maverick, Joe Ghazzal, who has orchestrated some of Malaysia’s most iconic fireworks events.

Up in the sky, breaking the treacle dark expanse, bursts of colours shoot from the ground, loud and shrill in their accent only to break out into a thunderous explosion of magical proportions. Such is the beauty of the firework, a human invention that combines the science of pyrotechnic with the aesthetics of art.

Fireworks, like many other endeavours of human expression, have over the centuries taken on various forms to produce what is known as the three cornerstone effects fireworks – the sound, the light, and most importantly, the effects.  So sophisticated are the fireworks of today that they can burn with flames and sparks of a wide range of colours and in spectacular effects with distinct sounds.

Though it may trace its roots back to 7th Century China where they were invented, fireworks have become a form of entertainment of its own.   Mind you, we are not talking about run-of-the-mill consumer fireworks that can be purchased by the public during major festival seasons but professional grade fireworks used in world class events; fireworks that have become a symbol of grandeur and prestige. These are fireworks that stretch the possibilities of pyrotechnics while continually seeking to perfect its art and science.

One such fireworks event, which also happens to be the largest international fireworks competition, is the Danang International Fireworks Competition (DIFC). Held annually in Danang, Vietnam, DIFC surprisingly has a Malaysian connection which began at its conception through the Malaysian and Hong Kong based Global2000 International Ltd. At the helm of Global2000 is the enigmatic Joe Ghazzal – a leading figure in the entertainment and events industry.

‘We were invited by the Vietnamese Government to produce the Danang International Fireworks Competition in Vietnam in 2008; we have been producing and choreographing (the competition) since then,’ said Joe. ‘DIFC is a complete success and it attracts a million visitors to watch the event over two nights.’

Prior to being invited to produce DIFC, Joe’s Global2000 was already making waves in the region for its spectacular fireworks shows and also for organizing world class events. In 2007, Global2000 organised, produced and managed Malaysia International Fireworks Competition (MIFC), which was the first ever international fireworks competition staged in Malaysia. ‘MIFC was the key and major event for Visit Malaysia Year 2007 and 50th Merdeka celebrations,’ explained Joe. ‘MIFC was hosted and supported by Ministry of Tourism in 2007 and 2008 for Visit Malaysia Year and it was a huge success that attracted 3.5 million people to Putrajaya.’

Joe’s involvement in the fireworks industry happened quite naturally. Having been involved in the entertainment industry since his university days, Joe has seen it all and conquered it all, that is, until he went full force in producing world class fireworks competitions and events. He started deejaying in Singapore during his university days and would then go on to recruiting and supplying DJs, records and equipment to new clubs, first in Singapore and then expanding up to Kuala Lumpur. ‘Whilst I was in the clubbing scene, I got into producing special events for product and brand launches in these clubs. Then I moved on and opened an event management company in 1994,’ said Joe on his venturing into event management.

‘I have done over 100 events for Petronas; I did the Launch for the Mercedes cars, produced and launched (events for) Astro, Measat, KLSE new building, KL Tower, Putrajaya, Cyberjaya, Sepang’s F1 circuit, Formula 1 opening ceremony, F1 Gala dinner and produced and managed the official Millennium celebrations at KLCC Petronas,’ said Joe. ‘I wanted to create a legacy for the new Millennium, so I produced a mega party at the Subang Terminal One, which was called ‘Zero’ – One World One Party.’ The airport, according to Joe, was a symbolic choice – it signified the departure of the old and arrival of the new Millennium. ‘It was the biggest party ever held in Malaysia that attracted more than 100,000 revellers!’

This is where the fireworks connection comes in. According to Joe, all his past major outdoor events capped off with a bang with a fireworks display. ‘As the finale was important to the event, I personally choreographed the fireworks so that the fireworks display would sync with the actual events.’

The lure of such fireworks displays is undoubtable. Elaborate fireworks displays are fascinating and quite magical. As Joe elaborated, it is ‘the creative side that is the wonder of fireworks. It is a combination of curiosity and emotion that lead us to watch these shows of explosive art. The one reason everyone continues to be fascinated with fireworks is that they remain incomprehensible. They are a chain of reactions that begins with a spark on the ground and ends in flashes of light several hundred meters in the air.’ This adds to the magical allure of the firework, which he said makes us ‘appreciate fireworks much in the same way as we do art – well-choreographed fireworks displays take us on a magical journey!’

While it may seem enchanting to the spectator, a lot of work by a large team of experts goes in to producing a wow-worthy fireworks event. ‘A major event like DIFC, requires writers, content producers, lighting designers, sound engineers, technical and safety specialists and event production team and logistics planners. To produce (the event), it takes months of planning; a team of good skilled and talented men and technical crew – which Team Global has – months of communications with clients and the selected participants,’ said Joe. On the technical front, stringent quality standards and procedures need to be adhered to.

For Global2000, which is capable to provide A to Z services for large scale international fireworks events, the gamut of its involvement in events such as DIFC and MIFC is indeed vast. ‘We implement the scheduling and format of the competitions and we also manage the press conferences, radio and television programs; receptions and other public events prior to the events,’ he said.

‘In some cases, we supply all supporting hardware and technical equipment; Mortars, Racks and firing system that is required for the fireworks competition as well as produce and manage all logistics,’ he added. ‘It’s a lot of work and many man-hours because we provide a complete turn-key production from start to end.’

The Malaysian-born-Singapore-educated Joe professed a deep passion and fascination for fireworks that goes beyond just a professional interest. ‘Fireworks have always fascinated me since I was a kid. It’s the sound of the massive explosions followed by a barrage of bright colours that makes me happy! I think it has to do with the many patterns of the fireworks because they are all different and unpredictable, just like life, and they explode in various directions and it just looks amazing above the night skies. People just love the explosions in the sky and love bright giant glowing paintings in the sky. The sky is a large canvas and fireworks allow me to paint the sky with my art.’

The sky is a large canvas and fireworks allow me to paint the sky with my art.

To Joe, everything he does seems to come from the heart. Outside his work, he is all about having a wonderful time with his family and friends. While his tastes might veer to the extravagant (a penchant for fast cars, globe-trotting and putting off at golf courses all over the world), Joe is very much grounded and humble. ‘I am a very normal fellow. I have a wonderful family just like the ordinary Malaysian Joe! I have a lovely wife and a beautiful daughter. They mean the world to me. I have a bunch of good friends and I love them too,’ said Joe. As for his work, Joe has only nice words to say, ‘I enjoy the work I do, so, it’s my hobby more than work. I put my heart and soul into my hobby.’

This hobby of his in which he has made the sky as his canvas has proven to be more than just a spectacular form of art; it has helped transform the way tourism is done. Joe and Global2000’s contribution to the region of Danang has not gone unappreciated. ‘We were presented with a special certificate awarded by the Danang Government for significant contribution to socio-economic development, international friendship promotion and humanitarian activities for the city of Danang,’ said Joe.